Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Salzer, Felix; Schachter, Carl: Counterpoint in composition. The study of voice leading. New York: McGraw-Hill, 1969. 478 p | |
| 2. | Schachter, Carl: Bach's Fugue in Bb major, Well-Tempered Clavier, book I, No. XXI. MusicForum 3 (1973), 239-267. Repr. in: In: Unfoldings: Essays in Schenkerian theory and analysis, ed. Joseph N. Straus. - New York: Oxford University Press, 1999. vi, 294p. ISBN: 0-19-512013-2; 0-19-512590-8; pp.239-259. | |
| 3. | Schachter, Carl: The Gavotte en Rondeaux from J. S. Bach's Partita in E major for unaccompanied violin. IsraelStudMcol 4 (1987), 7-26. | |
| 4. | Salzer, Felix; Schachter, Carl: Contrappunto e composizione. [Counterpoint in composition] Ed. Mario Baroni and Elena Modena. Torino: Edizioni di Torino, 1992. 576p. (= I manuali EDT/SIdM, 8) | |
| 5. | Schachter, Carl: The Prelude from Bach's Suite No.4 for Violoncello Solo: The Submerged Urlinie. [p]AMS_Montreal (Nov 1993) A paper read at the American Musicological Society Annual Meeting in Montreal on 3-7 November 1993. | |
| 6. | Schachter, Carl: The Prelude from Bach's Suite No.4 for Violoncello Solo: The Submerged Urlinie. CurMcol 56 (1994), 54-71. | |
| 7. | Schachter, Carl; Siegel, Hedi (eds.): Schenker studies. II. ed. Carl Schachter and Hedi Siegel. - Cambridge: Cambridge University Press, 1999. xiii, 319p. ISBN: 0-521-47011-0. [contents] | |